Dr. Zarkov’s Tiki Lounge 8-26-15 Burning Man - Tiki Music

DZ Dr. Zarkov Member Joined: Mar 07, 2008 Posts: 644	DZ Dr. Zarkov Posted posted on Wed, Aug 26, 2015 4:54 PM Dr. Zarkov’s Tiki Lounge Playlist: August 26, 2015 On this week’s show we took a decidedly determined detour from our usual Tiki music to honor the annualized occasion of the Burning Man Festival, taking place this week in the Black Rock Desert of Nevada. The Dr. Zarkov’s Tiki Lounge radio show was created and broadcast for the first time in August 2002 at this festival over Radio Free Burning Man. After reappearing at the festival the following year, the show migrated to Scotland to be heard at the 2005 Edinburgh Fringe Festival, where it was heard on temporary Fringe radio station called Festival FM. Dr. Zarkov’s Tiki Lounge returned to Burning Man via prerecorded shows in 2012 and 2014, after having found a permanent home here on Radio Fairfax in 2009. Dr. Zarkov’s Tiki Lounge is broadcast on Wednesdays, 5-6 pm Eastern Time (2-3 pm on the West Coast) at http://www.radiofairfax.org. The show is broadcast live; no recorded shows are archived, but some listeners choose to record it on their computers to listen later. Radio Fairfax also can be heard on Tune In Radio at tunein.com, and streamed on smartphones by downloading the Tunein app. It also can be streamed on Roku and Google TV at: http://tinyurl.com/3uqfsz9 The traditional song “Black Sand” performed by the Hawaiian slack-key guitar master Led Kaapana on his sunlit CD of the same name produced by George Winston. “This Is Tomorrow” by The Brian Ferry Orchestra on their combustive compact disk: The Jazz Age, featuring Robert Fowler on Tenor Sax, Richard White on Bass Sax and Malcolm Earle Smith on Trombone. “Rum Barrel,” by the Crazed Mugs on their fresh release: Find Forbidden Island, including Pablus on Electric guitar, Ukulele and Lead Vocal, Kanekila on Rickenbacker seven-string Frying Pan Lap Steel Guitar and Tommy Wannalikilei on Yamaha Drums. “My Old Flame,” composed by Sam Coslow and Arthur Johnston for the1934 Mae West movie: Belle of the Nineties, waxed in 1947 by Spike Jones & His City Slickers, drawn with tongs from his Broiling Box Set: Strictly for Music Lovers, including Paul Frees and Paul Judson on Vocals. “Midnight Ramble,” the 1957 recording found on the rapturous retrospective: Stratosphere Boogie: The Flaming Guitars of Speedy West and Jimmy Bryant, with Speedy West on Pedal Steel Guitar and Jimmy Bryant on lead Electric Guitar as well as Billy Strange on Rhythm Guitar, Billy Liebert on Piano, Cliffie Stone on Bass and Roy Harle on Drums. “A Rainy Night in Rio,” sung by Dinah Shore and found on consolidation compilation: South of the Border – Greatest Latin Hits. The Richard McIntire tune “I'm Pau” by the Hot Club of Hulaville from their scintillacious CD: Django Would Go! with Ginai on Vocal, Emmett Mahoney, Sonny Silva and Paul Mehling from the Hot Club of San Francisco on Acoustic Guitars, and Duane Padilla on Violin. “Come by Sunday,” sung by the mid-Century Brit Bombshell Diana Dors on her 1960 lascivious LP: Swingin Dors, with the orchestra conducted by Wally Stott. “In the Basement, Part 2,” the 1966 classic composition warbled by none other than Sugar Pie DeSanto and found on her copacetic collection: Go Go Power – The Complete Chess Singles, 1961-1966. “The Drift” by the Mermen from their aquacious album: Krill Slippin’ with Jim Thomas on Electric Guitar, Allen Whitman on Bass and Martyn Jones on Drums. “Hero Dead and Gone, Radio Swing Mix” by De-Phazz, featuring Karl Frierson & Rude Boys Kingston on Vocals, from their snapsome CD: Detunized Gravity. “Roadrunner” by the band Smoke & Mirrors from their sciatic CD: The Perfume of Creosote: Desert Exotica Part 1, with Spider Taylor on Guitar, Bass, Recorder & Sound Effects; and Michael Ely on Keyboards and Sound Effects. A song I would like to dedicate to the erstwhile members of Black Rock City’s very own Department of Public Works: “Work Song” from the sumptuous CD titled: Tangle Eye – Alan Lomax's Southern Journey Remixed, which combines the 1947 or 1948 field recording of “Rosie” by C.B. “88” Cook and the Axe Gang with contemporary New Orleans musicians including Meters bassist George Porter, Jr., Jeff Raines from Galactic on Slide Guitar, pianist Henry Butler, old-time fiddler Dirk Powell, bluesman Corey Harris, keyboard work from Davell Crawford, trombonist Delfeayo Marsalis and Dobro virtuoso Rob Ickes. “Yu Yu Beat” by Matorralman from the clamorous compilation: The New Sounds of Latin Jazz, Volume 4: Nacional Records 2013. “Hambonio Banderas” by The Mutaytor, a musical and performing arts collective that has performed at Burning Man in past years, taken from their flammable familial album: The Family Business.

Dr. Zarkov’s Tiki Lounge Playlist: August 26, 2015

On this week’s show we took a decidedly determined detour from our usual Tiki music to honor the annualized occasion of the Burning Man Festival, taking place this week in the Black Rock Desert of Nevada. The Dr. Zarkov’s Tiki Lounge radio show was created and broadcast for the first time in August 2002 at this festival over Radio Free Burning Man. After reappearing at the festival the following year, the show migrated to Scotland to be heard at the 2005 Edinburgh Fringe Festival, where it was heard on temporary Fringe radio station called Festival FM. Dr. Zarkov’s Tiki Lounge returned to Burning Man via prerecorded shows in 2012 and 2014, after having found a permanent home here on Radio Fairfax in 2009.

Dr. Zarkov’s Tiki Lounge is broadcast on Wednesdays, 5-6 pm Eastern Time (2-3 pm on the West Coast) at http://www.radiofairfax.org. The show is broadcast live; no recorded shows are archived, but some listeners choose to record it on their computers to listen later. Radio Fairfax also can be heard on Tune In Radio at tunein.com, and streamed on smartphones by downloading the Tunein app. It also can be streamed on Roku and Google TV at: http://tinyurl.com/3uqfsz9

The traditional song “Black Sand” performed by the Hawaiian slack-key guitar master Led Kaapana on his sunlit CD of the same name produced by George Winston.
“This Is Tomorrow” by The Brian Ferry Orchestra on their combustive compact disk: The Jazz Age, featuring Robert Fowler on Tenor Sax, Richard White on Bass Sax and Malcolm Earle Smith on Trombone.
“Rum Barrel,” by the Crazed Mugs on their fresh release: Find Forbidden Island, including Pablus on Electric guitar, Ukulele and Lead Vocal, Kanekila on Rickenbacker seven-string Frying Pan Lap Steel Guitar and Tommy Wannalikilei on Yamaha Drums.
“My Old Flame,” composed by Sam Coslow and Arthur Johnston for the1934 Mae West movie: Belle of the Nineties, waxed in 1947 by Spike Jones & His City Slickers, drawn with tongs from his Broiling Box Set: Strictly for Music Lovers, including Paul Frees and Paul Judson on Vocals.
“Midnight Ramble,” the 1957 recording found on the rapturous retrospective: Stratosphere Boogie: The Flaming Guitars of Speedy West and Jimmy Bryant, with Speedy West on Pedal Steel Guitar and Jimmy Bryant on lead Electric Guitar as well as Billy Strange on Rhythm Guitar, Billy Liebert on Piano, Cliffie Stone on Bass and Roy Harle on Drums.
“A Rainy Night in Rio,” sung by Dinah Shore and found on consolidation compilation: South of the Border – Greatest Latin Hits.
The Richard McIntire tune “I'm Pau” by the Hot Club of Hulaville from their scintillacious CD: Django Would Go! with Ginai on Vocal, Emmett Mahoney, Sonny Silva and Paul Mehling from the Hot Club of San Francisco on Acoustic Guitars, and Duane Padilla on Violin.
“Come by Sunday,” sung by the mid-Century Brit Bombshell Diana Dors on her 1960 lascivious LP: Swingin Dors, with the orchestra conducted by Wally Stott.
“In the Basement, Part 2,” the 1966 classic composition warbled by none other than Sugar Pie DeSanto and found on her copacetic collection: Go Go Power – The Complete Chess Singles, 1961-1966.
“The Drift” by the Mermen from their aquacious album: Krill Slippin’ with Jim Thomas on Electric Guitar, Allen Whitman on Bass and Martyn Jones on Drums.
“Hero Dead and Gone, Radio Swing Mix” by De-Phazz, featuring Karl Frierson & Rude Boys Kingston on Vocals, from their snapsome CD: Detunized Gravity.
“Roadrunner” by the band Smoke & Mirrors from their sciatic CD: The Perfume of Creosote: Desert Exotica Part 1, with Spider Taylor on Guitar, Bass, Recorder & Sound Effects; and Michael Ely on Keyboards and Sound Effects.
A song I would like to dedicate to the erstwhile members of Black Rock City’s very own Department of Public Works: “Work Song” from the sumptuous CD titled: Tangle Eye – Alan Lomax's Southern Journey Remixed, which combines the 1947 or 1948 field recording of “Rosie” by C.B. “88” Cook and the Axe Gang with contemporary New Orleans musicians including Meters bassist George Porter, Jr., Jeff Raines from Galactic on Slide Guitar, pianist Henry Butler, old-time fiddler Dirk Powell, bluesman Corey Harris, keyboard work from Davell Crawford, trombonist Delfeayo Marsalis and Dobro virtuoso Rob Ickes.
“Yu Yu Beat” by Matorralman from the clamorous compilation: The New Sounds of Latin Jazz, Volume 4: Nacional Records 2013.
“Hambonio Banderas” by The Mutaytor, a musical and performing arts collective that has performed at Burning Man in past years, taken from their flammable familial album: The Family Business.

Post #749802 by Dr. Zarkov on Wed, Aug 26, 2015 4:54 PM