Post #227980 by Sabu The Coconut Boy on Fri, Apr 21, 2006 9:31 PM

I've been collecting info on the Hawaii Pavillion at the 1962 Seattle World's Fair for some time now. I think I'm drawn to this building (and the Exposition in general) because it juxtaposed Primitive with the Modern - Tikis with the Space Needle. Lately I've made a few new acquisitions, (thanks a million to filslash for pointing me towards one of them), so I thought I'd put them together into an archeological post.

Back in 1959, just after the land was bought for the 1962 Expostion, but before ground had been broken yet, Century 21, (the sponsor), put out a ring-bound booklet which was given to prospective exhibitors. It stated:

"Never before, perhaps, has world civilization been so absorbed in its own future. The rockets that man sends overhead are marking paths which he will follow. He seeks to free himself from the the bounds of Earth. it is the aim of the Century 21 Exposition to portray this new era - to take its millions of visitors from the cultures of today's world into the multihued projection of what lies ahead - to preview the ways man will work and play and live in the year two thousand."

This booklet was filled with amazing artist's-renderings of what the fair might look like. Most bore very vague resemblance to the fantastic architecture that was actually created. Here is an early artist's conception of the Hawaiian Pavillion:

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Already there were hints of the "12-sided Polynesian longhouse" structure that would later be built. The bizarre tiki in the foreground was probably based on an old two-mouthed tiki in the Bishop Museum in Hawaii. This style of tiki was discussed in another topic here:
http://www.tikicentral.com/viewtopic.php?topic=2303&forum=1

A later Artist's rendering that appeared in the official program was still probably drawn before the building was actually built. It's close to the final structure but differs in several key aspects; most notably the African-like shields on the end of the roof beams:

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:down: I love the space needle in the background of this image:

Here's a postcard photo of the final structure :down:

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"When the idea was kindled for a Hawaii Pavillion at the Seattle World's Fair, the civic-minded business men back of the project agreed that all efforts must be pointed toward a single goal: To create, in Seattle, an exhibit representative of Island lore and culture, one that would be entirely appropriate of the traditions and hopes of the nation's newest state, and one which, above all, would capture the true spirit of Aloha."

Here is a photo of the building being constructed :down:

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"To house this exhibit, a large peak-roofed structure of contemporary Polynesian architecture was erected. The traditional Polynesian "longhouse" was reshaped into a 12-sided "circle" encompassing a 600-seat theater in which Polynesia's golden-skinned entertainers could perform for World Fair audiences."

The Palm Trees planted at the Pavillion were actually shipped all the way from Hawaii :down:

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The Tikis

In the postcard image, a tiki is easily visible in front of the structure :down:

I always thought this tiki looked like it was carved from fern wood. Fern-wood tikis seem to all be carved in a fairly traditional style. Here are some fern wood tikis that have appeared on TC as examples:

But what about the two giant tikis at the left-hand edge of the postcard :down:

Based on the woman standing in front of them, these tikis must be at least ten and fifteen feet tall. Did they actually carve fern-tree tikis this tall?

Evidently they did. :down:

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The Polynesian Review

*"Theater lights dim, a haunting blast sounds on the ancient conch shell and the Polynesian Revue transforms the World's Fair play-goeer into a musical wonderalnd of the Islands. During this armchair journey to Polynesia you savor authentic Island lore and culture, both old and new, in a spectacular revue which ranges fro mthe beautiful and romantic hula of Hawaii into the exciting, pulsating drum dances of Tahiti and the savage, tribal and ritual dances of Samoa and Tahiti.

Every performer in the Polynesian Playhouse is Island born and reared, and was selected personally by Entertainment Director Sonny Nicholas in a mammoth talent hunt which ranged from Hawaii to the far islands of Tahiti and Samoa.

Starring in the hula solo is Kauionalani Dowsett. A familiar name to Islanders and visitors alike, she has thrilled audiences at leading Hawaiian resorts and hotels with her enchanting presentations. The Tahitian princess is lovely Lona Tika, whose precision movements delivered at a machine-gun tempo are an unforgettable highlight of the Polynesian Review. Nine other dancing girls are in the show, along with such spectacular performers as Faauila Malala, the Samoan Sword Dancer and fire Walker. The unique harmony of the Hilo Hawaiians is the musical feature of the show - a most memorable "visit" to the Islands."*

Here are some photos of the Review :down:

Other Attractions

The Hawaii Pavillion also housed a Clothing Store where you could buy Muu-muus and Aloha Shirts, Dole's "Food's of Hawaii" concession stand, and a Flowers & Perfume shop.

There was a record store where you could purchase Hawaiian lps, and a Photography shop, where you could buy color films of the eruption of Mauna Loa and have your photograph taken against a backdrop portaying the Hawaii Pavillion with the Space Needle in the background. I would love to find one of these souvenir photos, but alas, they still elude me.

Here's a photo of the dedication of the Confection Shoppe called "Hawaiian Treats" where you could buy macadamia nuts, Hawaiian toffees and candy leis. (note the tiki tiled into the wall):

Finally a great photo of the Fair General Manager getting a lei and a kiss from the Cherry Blossom Princess with the Pavillion in the background:

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Hope you enjoyed this small tour. Post other images if you've got 'em. I'd love to see what else is out there.

Thanks,

Sabu

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[ Edited by: Sabu The Coconut Boy 2006-04-21 22:41 ]