Tiki's enduring influence on Southern California style: Opinion - General Tiki

H Hakalugi Special Tiki Central Agent Redondo Beach, CA Joined: Aug 10, 2004 Posts: 3465	H Hakalugi Posted posted on Wed, Apr 10, 2013 10:16 PM Here's an article from Alan Hess: Daily News Los Angeles http://www.dailynews.com/opinions/ci_22997182/pass-pina-colada-tikis-enduring-influence-southern-california Posted: 04/10/2013 03:33:23 PM PDT Updated: 04/10/2013 03:35:14 PM PDT The recent closing of Bahooka, a Tiki-themed restaurant in Rosemead, was an occasion for mourning. Bahooka was one of the great delights of Southern California Tiki, with countless fish tanks (including Rufus, the giant pacu), flaming drinks served in bowls, and bucket lamps hanging from the ceiling that took diners back to the romance of the South Seas in World War II. Thank goodness, though, Tiki is also the style that refuses to die. Its endurance tells us something about Southern California design. By all rights, Tiki should have been just another passing fad of the 1950s, like hula hoops (another Polynesian import). Its aesthetic is the opposite of what most experts insist is important about midcentury modern Southern California architecture. In the official architectural history of the region, Craig Ellwood showed us minimalist steel, and Richard Neutra showed us elegant abstraction. In contrast, Tiki showed us textured bamboo screens and blown-glass fishing buoys suspended in fishing nets. Yet Tiki had something in common with Southern California Modernist luminaries: where Ray and Charles Eames showed us whimsy, color, and history, Tiki also showed us whimsy, color and history. What is it about Tiki and its woven mats, its hanging blowfish, its thatched roofing, its rainbow colored tropical fish, and its solemn, all-knowing totems? We are no doubt addicts of visual stimulation, and we no doubt love the Polynesian dream. But, for Southern Californians, Tiki's appeal runs deeper than that. The opulent patterns, the spectrum of colors, and the evocative imagery are as central to this region's aesthetics as are exposed steel beams and sliding glass walls. Our design heritage is rich, contradictory, inclusive, ephemeral, and ancient. This inheritance can be rendered in neon, thatch, audio-animatronics, architecture, graphics, clothing, salt-and-pepper shakers, theme restaurants, movies, paperback books, or lipstick holders. It is the 20th-century style expressed in every range of 20th-century media. Tiki satisfies a need that the German architecture pioneer Walter Gropius could not have imagined. And in the latest news, the much-mourned Bahooka may have a resurrection. Los Angeles Magazine's Chris Nichols reports that much of Bahooka's decor will be re-ensconced in the renovated Clifton's Cafeteria in downtown Los Angeles. This is entirely fitting. Back in 1931, Clifton's Pacific Seas restaurant gave us neon palm trees and tropical waterfalls. If you need another sign that Tiki cannot die, there it is. Alan Hess is an architect and author of 19 books on Southern California and Modern architecture, including "Oscar Niemeyer Houses" and "Googie Redux: Ultramodern Roadside Architecture." He wrote this for Z calo Public Square. Columnnist Steve Scauzillo is on assignment this week; his column will return next Friday. [ Edited by: Hakalugi 2013-04-10 22:21 ]

Here's an article from Alan Hess:
Daily News Los Angeles
http://www.dailynews.com/opinions/ci_22997182/pass-pina-colada-tikis-enduring-influence-southern-california

Posted: 04/10/2013 03:33:23 PM PDT
Updated: 04/10/2013 03:35:14 PM PDT

The recent closing of Bahooka, a Tiki-themed restaurant in Rosemead, was an occasion for mourning. Bahooka was one of the great delights of Southern California Tiki, with countless fish tanks (including Rufus, the giant pacu), flaming drinks served in bowls, and bucket lamps hanging from the ceiling that took diners back to the romance of the South Seas in World War II. Thank goodness, though, Tiki is also the style that refuses to die. Its endurance tells us something about Southern California design.

By all rights, Tiki should have been just another passing fad of the 1950s, like hula hoops (another Polynesian import). Its aesthetic is the opposite of what most experts insist is important about midcentury modern Southern California architecture. In the official architectural history of the region, Craig Ellwood showed us minimalist steel, and Richard Neutra showed us elegant abstraction.

In contrast, Tiki showed us textured bamboo screens and blown-glass fishing buoys suspended in fishing nets. Yet Tiki had something in common with Southern California Modernist luminaries: where Ray and Charles Eames showed us whimsy, color, and history, Tiki also showed us whimsy, color and history.

What is it about Tiki and its woven mats, its hanging blowfish, its thatched roofing, its rainbow colored tropical fish, and its solemn, all-knowing totems? We are no doubt addicts of visual stimulation, and we no doubt love the Polynesian dream.

But, for Southern Californians, Tiki's appeal runs deeper than that.
The opulent patterns, the spectrum of colors, and the evocative imagery are as central to this region's aesthetics as are exposed steel beams and sliding glass walls. Our design heritage is rich, contradictory, inclusive, ephemeral, and ancient.

This inheritance can be rendered in neon, thatch, audio-animatronics, architecture, graphics, clothing, salt-and-pepper shakers, theme restaurants, movies, paperback books, or lipstick holders. It is the 20th-century style expressed in every range of 20th-century media. Tiki satisfies a need that the German architecture pioneer Walter Gropius could not have imagined.

And in the latest news, the much-mourned Bahooka may have a resurrection. Los Angeles Magazine's Chris Nichols reports that much of Bahooka's decor will be re-ensconced in the renovated Clifton's Cafeteria in downtown Los Angeles. This is entirely fitting. Back in 1931, Clifton's Pacific Seas restaurant gave us neon palm trees and tropical waterfalls. If you need another sign that Tiki cannot die, there it is.

Alan Hess is an architect and author of 19 books on Southern California and Modern architecture, including "Oscar Niemeyer Houses" and "Googie Redux: Ultramodern Roadside Architecture." He wrote this for Z calo Public Square. Columnnist Steve Scauzillo is on assignment this week; his column will return next Friday.

[ Edited by: Hakalugi 2013-04-10 22:21 ]

Post #674033 by Hakalugi on Wed, Apr 10, 2013 10:16 PM