greg shaw r.i.p.

I know that posting yet another obituary will annoy Bong, so here goes!

Greg Shaw, writer for Crawdaddy, Creem magazines, and founder of Who Put the Bomp magazine and Bomp Records, who had an incalculable influence on underground music in the last 30 years, died yesterday. He wrote about obscure but influential pre-punk bands like the Stooges before they were well known. His was the first Southern California independent record label to record punk and garage bands, many of them from my home town San Diego (the Zeros and the Crawdaddys to name just 2 that had a huge impact on me). And his Pebbles (and others) garage compilation series from his own collection introduced almost everyone (including myself) to 60s garage and punk music, which is more popular then ever now.

It is tragic that he died so young, we have lost another great one.

more info on Greg Shaw:
http://www.bomp.com/Facts.html

Damn it.

Greg Shaw took a call from a guy he didn't know, with a band he had never heard of, and said sure, you've got the headline slot.

And for one summer a band from from england that I managed, rocked the Cavern club repeatedly.

Thanks Greg for allowing me to live a little slice of the rock and roll band manager life.

TG

What caused his demise? Can't find anything
online. Really enjoyed the artists that
bomp supported...and although this band
didn't release anything on his labels...
is anyone familiar with Plasticland?
Great neo-psych band out of Milwaukee
in the 80s.

October 23, 2004 -- LA Times

Greg Shaw, 55; Rock Entrepreneur Was a Champion of Renegade Artists
By Richard Cromelin, L.A. Times Staff Writer

Greg Shaw, a music entrepreneur whose passion for raw, spirited rock
made him a pioneer in the independent record-label field and a prophet
of the current "garage rock" resurgence, died of heart failure Tuesday in
Los Angeles, his record company announced. He was 55.

"He was an extraordinarily important individual in the history of rock 'n'
roll," Steven Van Zandt, lead guitarist in Bruce Springsteen's band and
the host of the syndicated radio show "Little Steven's Underground
Garage," said Friday. "He was literally responsible for the contemporary
garage-rock movement, which he single-handedly started with the Bomp!
label."

As a journalist and record label head, Shaw always championed renegade
artists regarded as too unruly for mainstream packaging. The Stooges, the
Germs and Sky Saxon were among the acts he recorded.

But over the years his turf encompassed a wide stylistic range, from
rockabilly to such '60s-rooted sources as mod, girl groups, garage rock,
surf music, psychedelia and power pop.

He founded Bomp! Records in 1974 to release a single by the San
Francisco band the Flamin' Groovies. Shaw's real passion at the time was
a brand of '60s rock heavy on attitude and attack, the kind of music most
famously compiled by writer-musician Lenny Kaye on the 1972 album
"Nuggets," two LPs full of cult classics by the 13th Floor Elevators, the
Blues Magoos and others.

Shaw called the music "punk," but when that term was appropriated by
a whole new genre, Shaw dubbed it "garage rock," a reference to the
classic location for teenage band practices.

Shaw's dissemination of the music helped turn it from ephemera into
scripture, keeping it alive during years of mainstream indifference. In the
last few years, young disciples such as the White Stripes, the Strokes
and the Yeah Yeah Yeahs have become upstart bestsellers, finally
bringing the marginalized sound to the top of the charts.

Shaw was born in San Francisco and started collecting records in the
late 1950s, eventually accumulating a trove of more than 1 million
recordings. He immersed himself in the city's fabled mid-'60s rock
scene and started Mojo-Navigator Rock & Roll News, a magazine
that predated Rolling Stone and featured such estimable critics as
Lester Bangs, Greil Marcus and Dave Marsh.

In the early 1970s he started a fanzine called Who Put the Bomp,
then moved to Los Angeles, where he wrote for several rock
publications and worked for United Artists Records.

When the Flamin' Groovies signed with Sire Records, Shaw became
their manager and accompanied them to England, where, he said, he
was the first American to see the Sex Pistols perform. A connoisseur
of nascent music scenes, he also spent time in New York in the
mid-'70s.

Bomp! continued to release singles from the Wackers, the Poppees,
Willie Alexander and other regional acts, and covered the thriving L.A.
scene by recording the Weirdos, 20/20, Devo and others. The label
also became an advocate for such forceful "power pop" acts as the
Plimsouls and the Shoes, and issued an influential series of archival
garage-rock compilations called "Pebbles."

Shaw always hoped that Bomp! could forge an alliance with a major
label, but he said the large companies always wanted too much
creative control. He folded Bomp! in 1979 and established a new label,
Voxx, as a purist, low-budget home for '60s garage-style bands,
including the Crawdaddys, the Fuzztones, the Lyres and the Pandoras.
Shaw gave the music a live platform for a time by opening a Hollywood
showroom called the Cavern Club.

He revived Bomp! in the late 1980s, and in recent years the label has
worked with a new generation of garage-rock bands, including the
Brian Jonestown Massacre and the Warlocks.

"We were in touch as recently as last week talking about his new bands,
so he never stopped," said Van Zandt, who is also executive producer
of the "Underground Garage" channel on Sirius Satellite Radio. "He
was a real hero to me personally, and an extraordinarily important
individual in the history of rock 'n' roll."

Shaw, who had health problems in recent years and received a
pancreas/kidney transplant in 1999, is survived by his wife, Phoebe;
a son, Tristan; and a brother, Robbie.

Hey Jab,
When did you live in San Diego. I have a feeling we might have known each other.

On 2004-10-22 14:45, thejab wrote:
I know that posting yet another obituary will annoy Bong, so here goes!

If it was ANYBODY but TheJab (and if I wasn't on TC parole) I BLAST yo' Ass!

Let me just say this all newbies and others that match - TheJab is A-1 in the Bong's book (I sure hope that implies a good thing as opposed to a "Bong" thing).

But please, oh Good and sometimes not so good, GOd, please don ho not do it again.

On 2004-10-24 18:55, Tiki_Bong wrote:

On 2004-10-22 14:45, thejab wrote:
I know that posting yet another obituary will annoy Bong, so here goes!

If it was ANYBODY but TheJab (and if I wasn't on TC parole) I BLAST yo' Ass!

And I would take it like a man and not whine to Hanford! :wink:

Hey TG, we may have met one another in the mod scene but in the late 80s I didn't go out much with working 60 hours a week and going to school at night, and I moved away in '88.