Dr. Zarkov’s Tiki Lounge 8-5-15 Pop & Exotica - Tiki Music

DZ Dr. Zarkov Member Joined: Mar 07, 2008 Posts: 644	DZ Dr. Zarkov Posted posted on Wed, Aug 5, 2015 5:36 PM Dr. Zarkov’s Tiki Lounge Playlist: August 5, 2015 On this week’s show we once again chose to extroversionize our propensity for pop and exotica music in all its riotous range. Dr. Zarkov’s Tiki Lounge is broadcast on Wednesdays, 5-6 pm Eastern Time (2-3 pm on the West Coast) at http://www.radiofairfax.org. The show is broadcast live; no recorded shows are archived, but some listeners choose to record it on their computers to listen later. Radio Fairfax also can be heard on Tune In Radio at tunein.com, and streamed on smartphones by downloading the Tunein app. It also can be streamed on Roku and Google TV at: http://tinyurl.com/3uqfsz9 “Runnin’ Wild,” recorded in 1926 by the Orchestre Hawaiien, found on the historical document: Hawaiians in Paris – 1916-1926. “The Road to Paradise” waxed in the early Twentieth Century by an unknown German Orchestra, and included on the hulabalistic Box Set: It’s Hotter in Hawaii. “Sensational Mood,” the song composed in 1931 by Noble Floyd and Henri Woode, found on the righteous retrospective: Earl Hines and His Orchestra 1932-1934 – Classics, featuring bandleader Earl Hines on Piano and Cecil Irwin on Tenor Sax. “Marie,” The 1929 song by Irving Berlin, performed in 1940 by the vocal genius and trumpet master Louis Armstrong with the able assistance of the Mills Brothers on Vocals and Norman Brown on Acoustic Guitar, drawn from the adequate anthology: Louis Armstrong – Ken Burns Jazz. “Tradewinds,” the 1940 song by Charles Tobias and Cliff Friend, sung by Frank Sinatra in the year it was written, fronting the Tommy Dorsey Orchestra, found on the copious compilation: Broadway’s Gone Hawaii. “Je Cherche Après Titine,” waxed by Les Primitifs du Futur on their scintillacious CD: Tribal Mussette, featured Khireddine Medjoubi and Mohamed “El Yazid” Baazi on Vocals. “One Way Ticket,” by the French singer Cyrille Aimée on her amiable album: It’s a Good Day, with Adrien Moignard, Michael Valeanu and Guilherme Monteiro on Acoustic Guitars, Sam Anning on Bass and Rajiv Jayaweera on Drums. The theme song from the 1963 movie: Charade composed by Henry Mancini and Johnny Mercer and sung by Bobby Darin, found on the comprehenisible compilation: Wild, Cool & Swingin’ Too – Ultra Lounge Volume 15. “Sand in My Shoes” by Marge Dodson from her 1959 LP: In the Still of the Night. Composed by Frank Loesser and Victor Schertzinger, it is notable for having been used in two 1941 movies: Johnny Apollo and: Kiss the Boys Goodbye. “Betty Walks Alone,” from the nostalgic nodule: Mad Men After Hours – Music from the Original Series, composed by David Carbonara. ““La Nudista” by Daniele Luppi from the Italianesque anthology: Far Out – Swinging Bachelor Pad Music. “La Vespa (Motor Scooter),” by the composer and arranger Bob Thompson on his 1960 accelerative album: The Sound of Speed, with Orchestra Dei Concerti di Roma, conducted by Paul Baron. “Tre Passi Nel Delirio” or “Spirits of the Dead,” the theme to the 1968 Federico Fellini film project, composed by Nino Rota, and found on the reliquarious retrospective: Tutto Fellini. “Omar Khayyam,” composed by Franco de Gemini for the 1972 movie: Si Può Fare Molto Con Sette Donne, or You Can Do a Lot With Seven Women, drawn from antic anthology: Beat at Cinecitta. “007”, the James Bond theme by British composer John Barry, taken from the distilled and decanted CD set: Essential Ray Barretto: A Man & His Music, with Mr. Barretto on Conga Drums. “Boogaloop” by Ursula 1000 from their toothsome 2002 CD: Kinda Kinky (4:33) Eighteenth Street, 2002.

Dr. Zarkov’s Tiki Lounge Playlist: August 5, 2015

On this week’s show we once again chose to extroversionize our propensity for pop and exotica music in all its riotous range.

Dr. Zarkov’s Tiki Lounge is broadcast on Wednesdays, 5-6 pm Eastern Time (2-3 pm on the West Coast) at http://www.radiofairfax.org. The show is broadcast live; no recorded shows are archived, but some listeners choose to record it on their computers to listen later. Radio Fairfax also can be heard on Tune In Radio at tunein.com, and streamed on smartphones by downloading the Tunein app. It also can be streamed on Roku and Google TV at: http://tinyurl.com/3uqfsz9

“Runnin’ Wild,” recorded in 1926 by the Orchestre Hawaiien, found on the historical document: Hawaiians in Paris – 1916-1926.
“The Road to Paradise” waxed in the early Twentieth Century by an unknown German Orchestra, and included on the hulabalistic Box Set: It’s Hotter in Hawaii.
“Sensational Mood,” the song composed in 1931 by Noble Floyd and Henri Woode, found on the righteous retrospective: Earl Hines and His Orchestra 1932-1934 – Classics, featuring bandleader Earl Hines on Piano and Cecil Irwin on Tenor Sax.
“Marie,” The 1929 song by Irving Berlin, performed in 1940 by the vocal genius and trumpet master Louis Armstrong with the able assistance of the Mills Brothers on Vocals and Norman Brown on Acoustic Guitar, drawn from the adequate anthology: Louis Armstrong – Ken Burns Jazz.
“Tradewinds,” the 1940 song by Charles Tobias and Cliff Friend, sung by Frank Sinatra in the year it was written, fronting the Tommy Dorsey Orchestra, found on the copious compilation: Broadway’s Gone Hawaii.
“Je Cherche Après Titine,” waxed by Les Primitifs du Futur on their scintillacious CD: Tribal Mussette, featured Khireddine Medjoubi and Mohamed “El Yazid” Baazi on Vocals.
“One Way Ticket,” by the French singer Cyrille Aimée on her amiable album: It’s a Good Day, with Adrien Moignard, Michael Valeanu and Guilherme Monteiro on Acoustic Guitars, Sam Anning on Bass and Rajiv Jayaweera on Drums.
The theme song from the 1963 movie: Charade composed by Henry Mancini and Johnny Mercer and sung by Bobby Darin, found on the comprehenisible compilation: Wild, Cool & Swingin’ Too – Ultra Lounge Volume 15.
“Sand in My Shoes” by Marge Dodson from her 1959 LP: In the Still of the Night. Composed by Frank Loesser and Victor Schertzinger, it is notable for having been used in two 1941 movies: Johnny Apollo and: Kiss the Boys Goodbye.
“Betty Walks Alone,” from the nostalgic nodule: Mad Men After Hours – Music from the Original Series, composed by David Carbonara.
““La Nudista” by Daniele Luppi from the Italianesque anthology: Far Out – Swinging Bachelor Pad Music.
“La Vespa (Motor Scooter),” by the composer and arranger Bob Thompson on his 1960 accelerative album: The Sound of Speed, with Orchestra Dei Concerti di Roma, conducted by Paul Baron.
“Tre Passi Nel Delirio” or “Spirits of the Dead,” the theme to the 1968 Federico Fellini film project, composed by Nino Rota, and found on the reliquarious retrospective: Tutto Fellini.
“Omar Khayyam,” composed by Franco de Gemini for the 1972 movie: Si Può Fare Molto Con Sette Donne, or You Can Do a Lot With Seven Women, drawn from antic anthology: Beat at Cinecitta.
“007”, the James Bond theme by British composer John Barry, taken from the distilled and decanted CD set: Essential Ray Barretto: A Man & His Music, with Mr. Barretto on Conga Drums.
“Boogaloop” by Ursula 1000 from their toothsome 2002 CD: Kinda Kinky (4:33) Eighteenth Street, 2002.