Dr. Zarkov’s Tiki Lounge 3-1-17 Pop & Exotica - Tiki Music

DZ Dr. Zarkov Member Joined: Mar 07, 2008 Posts: 644	DZ Dr. Zarkov Posted posted on Wed, Mar 1, 2017 10:12 PM Dr. Zarkov’s Tiki Lounge Playlist: March 1, 2017 On Wednesday’s Dr. Zarkov’s Tiki Lounge radio show we once again engaged in an exploration of pop and exotica music in all of its comely complexion. Dr. Zarkov’s Tiki Lounge is broadcast every Wednesday, 5-6 pm Eastern Time (2-3 pm on the West Coast and 10-11 GMT in Europe) at http://www.radiofairfax.org. The show is broadcast live; no recorded shows are archived, but some listeners choose to record it on their computers to listen later. Radio Fairfax also can be heard on Tune In Radio at tunein.com, and streamed on smartphones by downloading the Tunein app. It also can be streamed on Roku and Google TV at: http://tinyurl.com/3uqfsz9 “The Lei Vendor” (“The Flower Vendor Song” A/K/A “Leis for Sale”), by Johnny Noble comes from the reticulated retrospective: Sol Hoopii and His Novelty Quartette – Classic Hawaiian Steel Guitar Performances 1933-34, featuring Mr. Hoopii on Vocal and Steel Guitar. “I’ve Gone Native Now,” the 1930 song by Paul Summers, played on Lap Steel Guitar and sung in 1936 by Annie Kerr, found on the ample anthology: History of Hawaiian Steel Guitar. “Kanaka Waiolina (The Fiddle Man),” composed by Rev. Dennis Kamakahi and drawn from the fond look back: Eddie Kamae & The Sons of Hawaii -- Yesterday & Today, recorded in 1979 featuring Rev. Kamakahi on Vocal and Acoustic Guitar. “Beyond the Reef,” the classic inked by Canadian Immigrant to Hawaii Jack Pitman, was sung by Le Momi with The 49th State Hawaiians in the late 1940s and appears on the historical document: Vintage Hawaiian Treasures, Volume One – Hapa Haole Hawaiian Hula Classics. (Yes, we know that Hawaii become the 50th state only after Alaska became the 49th, but they didn’t know it would end up happening that way in the ‘40s). “Hawaiian Wedding Song,” was composed by Charles E. King for his 1926 operetta: Prince of Hawaii, and was performed for us by Gordon Samuelson on his reedish recording: Sax Hawaiian Style: Jazz Interpretations of Favorite Hawaiian Melodies, spotlighting the talents of Mr. Samuelson on Alto Sax, Curt Lee on Acoustic Guitar and Kalani Kelona on Ukulele. “Smuggler's Cove” was waxed by The Crazed Mugs on their Alamedaic album: Find Forbidden Island, featuring Pablus on Vocal and Ukulele, and “Luke the Flute” on American Indian Wood Flute or Japanese Shakuhachi. “Ritz Cracker” was created in 1957 for the landmarkable LP: How About Uke – Lyle Ritz Plays Jazz Ukulele, with Don Shelton on Flute, Gene Estes on Drums and Red Mitchell on Bass. “Sarabande From the Cello Suite No. 1 was assayed by John King on his superlatatious CD: Johann Sebastian Bach – Partita No. 3 for Unaccompanied Ukulele. On this track the Ukulele is played by King in the campenella style, in which individual notes over-ring one another producing a bell-like sound similar to a harp, accomplished by playing each succeeding note in a melodic line on a different string. “Triton” was performed by the band from the island nation of Mauritius called Mari Nica Swing, and appears on the swaying CD: Putumayo Swing Around the World. “I-Ha-She” was recorded by the dynamic duo of Marais & Miranda on their 1960 LP: Marais & Miranda Go Native (More Songs of the South African Veld). “Kalahari” comes from the 1967 azurial album by the Les Baxter Orchestra & Chorus titled: African Blue. “Cherokee,” the 1933 standard written by Ray Noble, was waxed by Juan Garcia Esquivel, his Chorus and Orchestra on their 1960s-ish space vehicle: Music From a Sparkling Planet. Elmer Bernstein inked “Poi and Juice” for the 1959-60 television series Johnny Staccato, starring John Cassavetes as a detective who also was a jazz musician, performed by a passel of West Coast jazz musicians of the time, including Red Norvo on Vibes; Red Mitchell on Bass and Shelley Manne on Drums, drawn with swizzle sticks from the bulging box set titled: Jazz on Film…Crime Jazz! “Magic Single Barrel -- Mo' Horizons Restyle” by La Taverne du Lac was gently ginned up from the copious collection: Dirty Martini. “Canon,” the composition written in 1976 by Giorgio Carnini, was recreated by the Montreal-based Orgasmo Sonore on their incomparable compact disc: Revisiting Obscure Library Music. “Amado Mio,” composed by Doris Fisher and Allen Roberts for the 1946 Rita Hayworth movie: Gilda, recorded 20 years ago by Pink Martini on their scintillacious CD: Sympathique, with China Forbes on Vocals, Maureen Love on Harp, Gavin Bondy on Trumpet, Robert Taylor on Trombone; Dan Faehnle on Guitars; Doug Smith on Vibes, Aaron Meyer on Violin; David Eby on Cello and John Wagner on Bass and Band Leader Thomas M. Lauderdale on Piano.

Dr. Zarkov’s Tiki Lounge Playlist: March 1, 2017

On Wednesday’s Dr. Zarkov’s Tiki Lounge radio show we once again engaged in an exploration of pop and exotica music in all of its comely complexion.

Dr. Zarkov’s Tiki Lounge is broadcast every Wednesday, 5-6 pm Eastern Time (2-3 pm on the West Coast and 10-11 GMT in Europe) at http://www.radiofairfax.org. The show is broadcast live; no recorded shows are archived, but some listeners choose to record it on their computers to listen later. Radio Fairfax also can be heard on Tune In Radio at tunein.com, and streamed on smartphones by downloading the Tunein app. It also can be streamed on Roku and Google TV at: http://tinyurl.com/3uqfsz9

“The Lei Vendor” (“The Flower Vendor Song” A/K/A “Leis for Sale”), by Johnny Noble comes from the reticulated retrospective: Sol Hoopii and His Novelty Quartette – Classic Hawaiian Steel Guitar Performances 1933-34, featuring Mr. Hoopii on Vocal and Steel Guitar.
“I’ve Gone Native Now,” the 1930 song by Paul Summers, played on Lap Steel Guitar and sung in 1936 by Annie Kerr, found on the ample anthology: History of Hawaiian Steel Guitar.
“Kanaka Waiolina (The Fiddle Man),” composed by Rev. Dennis Kamakahi and drawn from the fond look back: Eddie Kamae & The Sons of Hawaii -- Yesterday & Today, recorded in 1979 featuring Rev. Kamakahi on Vocal and Acoustic Guitar.
“Beyond the Reef,” the classic inked by Canadian Immigrant to Hawaii Jack Pitman, was sung by Le Momi with The 49th State Hawaiians in the late 1940s and appears on the historical document: Vintage Hawaiian Treasures, Volume One – Hapa Haole Hawaiian Hula Classics. (Yes, we know that Hawaii become the 50th state only after Alaska became the 49th, but they didn’t know it would end up happening that way in the ‘40s).
“Hawaiian Wedding Song,” was composed by Charles E. King for his 1926 operetta: Prince of Hawaii, and was performed for us by Gordon Samuelson on his reedish recording: Sax Hawaiian Style: Jazz Interpretations of Favorite Hawaiian Melodies, spotlighting the talents of Mr. Samuelson on Alto Sax, Curt Lee on Acoustic Guitar and Kalani Kelona on Ukulele.
“Smuggler's Cove” was waxed by The Crazed Mugs on their Alamedaic album: Find Forbidden Island, featuring Pablus on Vocal and Ukulele, and “Luke the Flute” on American Indian Wood Flute or Japanese Shakuhachi.
“Ritz Cracker” was created in 1957 for the landmarkable LP: How About Uke – Lyle Ritz Plays Jazz Ukulele, with Don Shelton on Flute, Gene Estes on Drums and Red Mitchell on Bass.
“Sarabande From the Cello Suite No. 1 was assayed by John King on his superlatatious CD: Johann Sebastian Bach – Partita No. 3 for Unaccompanied Ukulele. On this track the Ukulele is played by King in the campenella style, in which individual notes over-ring one another producing a bell-like sound similar to a harp, accomplished by playing each succeeding note in a melodic line on a different string.
“Triton” was performed by the band from the island nation of Mauritius called Mari Nica Swing, and appears on the swaying CD: Putumayo Swing Around the World.
“I-Ha-She” was recorded by the dynamic duo of Marais & Miranda on their 1960 LP: Marais & Miranda Go Native (More Songs of the South African Veld).
“Kalahari” comes from the 1967 azurial album by the Les Baxter Orchestra & Chorus titled: African Blue.
“Cherokee,” the 1933 standard written by Ray Noble, was waxed by Juan Garcia Esquivel, his Chorus and Orchestra on their 1960s-ish space vehicle: Music From a Sparkling Planet.
Elmer Bernstein inked “Poi and Juice” for the 1959-60 television series Johnny Staccato, starring John Cassavetes as a detective who also was a jazz musician, performed by a passel of West Coast jazz musicians of the time, including Red Norvo on Vibes; Red Mitchell on Bass and Shelley Manne on Drums, drawn with swizzle sticks from the bulging box set titled: Jazz on Film…Crime Jazz!
“Magic Single Barrel -- Mo' Horizons Restyle” by La Taverne du Lac was gently ginned up from the copious collection: Dirty Martini.
“Canon,” the composition written in 1976 by Giorgio Carnini, was recreated by the Montreal-based Orgasmo Sonore on their incomparable compact disc: Revisiting Obscure Library Music.
“Amado Mio,” composed by Doris Fisher and Allen Roberts for the 1946 Rita Hayworth movie: Gilda, recorded 20 years ago by Pink Martini on their scintillacious CD: Sympathique, with China Forbes on Vocals, Maureen Love on Harp, Gavin Bondy on Trumpet, Robert Taylor on Trombone; Dan Faehnle on Guitars; Doug Smith on Vibes, Aaron Meyer on Violin; David Eby on Cello and John Wagner on Bass and Band Leader Thomas M. Lauderdale on Piano.